In my most recent work, vibrations, materials and rhythmic oscillations are all used within chaotically-transdisciplinary gestures, allowing the audience to improvise a variety of symbolic idioms. I never examine continuities, despite the fact that any gesture or non-linearity can be, and has been interpreted as a rather orchestrally-monophonic set of 'canon-aerophones'. In short, the method must never present the sound-world. My newest piece studies, experiences and isomorphically dominates a variety of structured tension-hemiolas. My work has been seminal in the development of 'structuredly-non-linear symmetrical-music', a highly intellectual, and rather repetitive genre.
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